艾伦、瑞德和斯米蒂在泽西海岸度过盛夏，漫步在木板路上时陷入困境。但他们发现了宝藏，这使得朋友们的怀疑和暴力升级。

马库斯·拉森是一名建筑师，也是一家之主。鲜为人知的是，他有双性恋倾向，而他的妻子克里斯汀和他们十一岁的女儿伊丽莎白一直都活在无法忍受的孤独之中。当马库斯见到他同事十二岁的儿子时，他对他一见钟情了。渐渐地，马库斯开始接近约翰内斯，并和他有了暧昧关系，但事情逐渐脱离了他的掌控。他们的这种关系使马库斯的妻子和女儿备受折磨，但约翰内斯操控着自己的秘密游戏，最终给每一个家庭成员都带来了灾难。（豆瓣电影字幕翻译2.0小组）

一个小城的电视台在圣诞节前夕，也是革命纪念日当天准备录制一档关于城市革命记忆的节目。故事从清晨开始，电视台台长正为录制节目而做着准备。其中一位嘉宾玛尼斯古是一位历史老师，刚从宿醉中醒来，随即开始四处借钱补贴薪水，为此他还向昨夜喝醉后辱骂过的华人道歉。另一位嘉宾皮斯科斯，退休后独自生活，邻居来邀请他扮演圣诞老人，他欣然应允。按照约好的时间，节目录制开始了。玛斯尼古讲述了当年罗马尼亚革命日他们的革命事迹，此时却有不少观众打来电话驳斥他的观点并说他在撒谎。现场的争论气氛立马活跃了起来。在这小电视台讨论的大革命的问题究竟会有怎样的结论呢？

卖座喜剧导演汤姆·沙迪亚克脑部因意外受创，一度徘徊于生死边缘，期间他对探索人生产生浓厚兴趣，痊愈后决定与四人摄制队飞往各地，去访问不同界别的杰出人士，包括作家、学者、宗教领袖及科学家等，重点探讨两大基本问题：一，我们的世界有何不妥？二，我们可以做什么？本纪录片除探讨人性及我们对周遭的影响，亦带出“只要每人踏出一小步，便能改变世界”的正面讯息。

RFA197215‘VOSTF16mm　　d'après « I cani del Sinaï » de Franco Fortini.

PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

An international group of film students finds a disturbing video clip on the dark web which seems to contain poltergeist phenomena. Agreed that it's just what they need for their latest documentary project the group travels to the sanatorium shown in the video clip. Once there, they rig up their camera equipment and start to explore the possible ghost activities - until the true horror begins.