Mario, a young dancer living in a small village has to face the loss of his beloved best friend Lenz, victim of an attack in a gay club.

从关塔那摩监狱中解救儿子穆拉特的斗争，使土耳其家庭主妇拉比耶·库尔纳兹自不来梅的排屋直接进入了世界政治舞台。诉讼一直打到位于华盛顿的联邦最高法院。在她身边的是人权律师伯恩哈德·多克。这位矜持、平和的律师和脾气暴躁却富有幽默感的土耳其母亲现在正并肩作战，争取让穆拉特获释。

这不是一部普通的纪录片，而是透过意大利电影大师费德里克．费里尼独特的艺术家眼光为罗马古都写出来的一篇个人回忆录。全片打破传统叙事手法，以现实与超现实场面交叉穿梭进行，渗入了大量的幻觉和回忆，充分表现出费德里克．费里尼个人对罗马的爱恋，也让观众看到了这个城市隐蔽着的另一面。男星彼得．龚扎莱斯在片中饰演年轻时代的费德里克．费里尼，而费德里克．费里尼则演出他自己，在片中可以看到马戏团对费氏作品根深蒂固的影响。也可以从中揣摩出费尼电影风格的一些基本特质，喜爱他的影迷不容错过。

罗伯特，盗窃癖患者，喜欢写太过现实的童话故事，吓坏孩子们；贝阿特丽齐，患有突发性睡症，总是记录下生活中发生的一切。他们在同一个心理医生处治疗，发现爱能治愈他们的心理疾病。但生活不会一帆风顺，就像罗伯特写的故事，美好的结局总是需要一波三折。他们会找到真正的自己吗？

本片讲述了科技时代下自拍对人们的影响。佩雷斯一家是网络上的红人，网络算法每时每刻影响着他们的生活，他们乐在其中，然而对于播放量的追求也让他们渐渐迷失。另一边对互联网一窍不通的中学老师佩罗尔在教学任务中注册了账号，阴差阳错和网红图恩陷入爱情......

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!